hornfuckers
hornfuckers
18, 19/ 06 / HANNOVER
22, 23 /08 / BERLIN
Rivoli Grande Auditório
We continue to question the norm, its hierarchy and its logic. We forget what we are and what we are supposed to be. We suspend ourselves within an apocalyptic universe; we exist and resist in a kind of everyday perversity, a form of delirium that celebrates cruelty and violence, as we try to survive the sadistic pursuit of a logic that lies beyond our understanding of the body’s reconfiguration and resignification. Here, we question stereotypes and defy gravity, crossing lyricism and violence in an image that reveals bodies in constant confrontation with their limits and their boundlessness. In a landscape shaped by order and chaos, submission and revolt, Hornfuckers questions who we are, what is imposed upon us, and how the system that sustains us can also be a source of unpredictability and oppression. — Diana Niepce
Follow the chaos in real time
Diana Niepce is a choreographer, dancer, curator and author. Graduated from the Escola Superior de Dança, completed an Erasmus program at Teatterikorkeakoulun in Helsinki, and holds a Master’s degree in Art and Communication from Universidade Nova de Lisboa. She is an associated artist at Espaço do Tempo and has created several works, including Forgotten Fog (2015), Raw a nude (2019), 12 979 Dias (2019), Dueto (2020), T4 (2020), Anda, Diana (SPA Award, 2021), The Other Side of Dance (2022), Enfreakment (2024), Utopia (2024), Norm (2024), and Hornfuckers (2026).
As a curator, she has been involved in the Political Bodies cycle (2024, Culturgest) and the Reunião project (2025). She also develops work in training and inclusion within the performing arts, particularly with artists with disabilities, through initiatives such as Fora da Norma (2023) and Norm (2023).
As a dancer and performer, she has collaborated with various national and international artists. Her most recent publications include the children’s story Bayadère (CNB), the book Anda, Diana (Sistema Solar), and the short story “Broken and Smelly, Are the Stones.” for the Rota Memorial do Convento.
